Thought of the Day

I don't believe in morality, but I believe in ethical conduct as set out by His Holiness the Dalai Lama: "Ethical conduct = a way of behaving that respects others’ right to be happy".
Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Monday, 5 July 2010

Hop Hop Hop

What a great weekend. It started with the Acro Yoga workshop which was exactly as I hoped: nurturing, challenging and fun. We chanted, practiced asanas, thai massaged and finally flying. Being lifted is a liberating feeling. Back bends a bit scary until you realise you really have to LET IT GO. Lifting others was more challenging. It takes loads of practice to find the centre and balance for an extended period of time. Vaclav and I have decided to keep practicing it together during our course's lunch breaks. 

Saturday morning we headed to the Hop Farm Festival. Despite the heat during the day and dampness during the night, the queues, the toilets and  , we had a great time. Bob Dylan was legendary. He is so cool at playing his songs differently every time ~ He is such an eclectic artist. I was expecting Devendra wild and naked like in this video. He showed up with short(ish) hair and in British mod look... until he stripped to show his cool tattoos and give full voice to his expressionistic performance. So, so cool! 

We concluded the weekend with our friends from Italy with two aperitifs and a yummy vegetarian meal in Primrose Hill.


Full set of photos HERE.

Thursday, 17 December 2009

Ice Skating at Xmas Time

The other day I went ice skating in Somerset House. It is such a great setting with such a great company {my colleagues and friends} that I can forgive the over-price, over-crowd and rigid time slot. I will have one more opportunity to polish my skating skills in January when we will go skating again for Amanda's birthday/Befana Day {Epiphany}. This time in Canary Wharf, amongst the skyscrapers.




 

Sylvia Plath Series


Totally in awe for Justin Fitzpatrick's series on Sylvia Plath! The sense of anguish and the mythological references permeating Sylvia's poems are visually conveyed in these portaits. The geometrical enclosures and oniric atmospheres are reminiscent of De Chirico's works.  I am sure Justin was familiar with Sylvia’s admiration for De Chirico: her art-poems are directly influenced by the Greek/Italian artist. This reminded me to go back to The Estorik Collection, a gallery preserving Italian modern art, in the New Decade. 

The Disquieting Muses


De Chirico  

Mother, mother, what illbred aunt
Or what disfigured and unsightly
Cousin did you so unwisely keep
Unasked to my christening, that she
Sent these ladies in her stead
With heads like darning-eggs to nod
And nod and nod at foot and head
And at the left side of my crib?

Mother, who made to order stories
Of Mixie Blackshort the heroic bear,
Mother, whose witches always, always,
Got baked into gingerbread, I wonder
Whether you saw them, whether you said
Words to rid me of those three ladies
Nodding by night around my bed,
Mouthless, eyeless, with stitched bald head.

In the hurricane, when father's twelve
Study windows bellied in
Like bubbles about to break, you fed
My brother and me cookies and Ovaltine
And helped the two of us to choir:
"Thor is angry: boom boom boom!
Thor is angry: we don't care!"
But those ladies broke the panes.

When on tiptoe the schoolgirls danced,
Blinking flashlights like fireflies
And singing the glowworm song, I could
Not lift a foot in the twinkle-dress
But, heavy-footed, stood aside
In the shadow cast by my dismal-headed
Godmothers, and you cried and cried:
And the shadow stretched, the lights went out.

Mother, you sent me to piano lessons
And praised my arabesques and trills
Although each teacher found my touch
Oddly wooden in spite of scales
And the hours of practicing, my ear
Tone-deaf and yes, unteachable.
I learned, I learned, I learned elsewhere,
From muses unhired by you, dear mother,

I woke one day to see you, mother,
Floating above me in bluest air
On a green balloon bright with a million
Flowers and bluebirds that never were
Never, never, found anywhere.
But the little planet bobbed away
Like a soap-bubble as you called: Come here!
And I faced my traveling companions.

Day now, night now, at head, side, feet,
They stand their vigil in gowns of stone,
Faces blank as the day I was born,
Their shadows long in the setting sun
That never brightens or goes down.
And this is the kingdom you bore me to,
Mother, mother. But no frown of mine
Will betray the company I keep.

Sylvia Plath 




From the top left: Sylvia Plath and the Worry Bird; Morning Song; Portrait of the Sylvia Plath as Phoenix; Sylvia Plath and the Resurrection Blues; Sylvia Plath and the Burning Chair; The Arrival of the Bee Box. 

Sunday, 29 November 2009

SLUG


The Slug, by Anish Kapoor, is the work that most amazed me at his retrospective currently hosted at the Royal Academy of Arts. A shiny vulva (?) originates a wiggling tube resembling Laocoön's limbs -- an experience that repulsed while attracting the viewer. Laocoön and His Sons is a work that still troubles me a great deal for its theatrical expression of sorrow, while the sensuous red lips seem to hold a dangerous spellbound.

Sunday, 15 November 2009

Jewels of London

Primrose Hill is one of the cutest neighbourhood of London. Hidden behind the chaotic Camden, it is still the best kept secret from tourists. It is a village with bohemian houses, independent shops, friendly restaurants and a hill with a lovely skyline. The Primrose Hill Gallery is an unmissable spot: it offers lithography from modern art masters at competitive prices. It is here that my husband got me the Matisse lithography.
It is also very posh, but not as ostentatious and conspicuous as Chelsea. - at least not in appearance. The wealthy locals paradoxically like the simple life, one they could get much cheaply elsewhere {see Italy, for example} where organic food, independent shops, green spaces and a community feel, in other words good quality of life, are the norm and not a premium luxury.
The difference is, of course, that in Primrose Hill you enjoy the priceless added value of being in the middle of London hustle and bustle without hassle. Besides, you have the largest yoga centre in Europe at your doorstep: Triyoga. It is here that I have been practising my yoga, almost every day, for the last five years. So, it's an area I call *home* in inverted commas.
The same Saturday I had my yoga teaching training interview, which took place in a tiny kitchen-turned-office, I also visited the new Primrose Hill Museum of Everything which literally looked homemade. At the entrance we were welcomed by a box-office and an old tea mug used to collect offers. The museum has been heavily endorsed by the celebrity crowd of Primrose Hill and thus it's free. I felt like visiting someone's house. There is a homely and homemade feel throughout {a narrow corridor and small rooms dotted around}, until you get to a door opening into an spacious warehouse-type of space. The museum hosts paintings, sculptures and installations by disadvantaged artists, either disabled or outcasts, from all over the world. A DIY cafe with homemade cakes and tea on offer concludes the visit.
A whiff away from the museum is the Primrose Hill Bakery which specialises itself in cupcakes. Its look of a fifty-style kitchen also made me feel at home.
Primrose Hill is also linked in my imaginary to a melancholic circumstance: the death of Sylvia Plath. It was the winter of 1963, and London had never been so chilly. A young lady lived as a single mother with her children in a rented a flat at 23 Fitzroy Road she had recently moved into. In the morning of 13th February she stuck her head into the oven. She was only 31 years old.
Sylvia Plath and the Worry Bird by Justin Fitzpatrick is a painting I saw at a friend's of friend's exhibition last year. It totally fascinated me.

"I would face him, and say simply: I am sad that you are not strong, and do not swim and sail and ski, but you have a strong soul, and I will believe in you and make you invincible on this Earth."

Passage from Sylvia Plath's Journal


Photo credits: Hill of Primrose Hill by Art of the State;  Primrose Hill Bakery from Flikr; Flower shop from Flikr; Panoramic view from Primrose Hill by Panoramic Earth.

Tuesday, 10 November 2009

The Secret Postcard's Artist

RCA Secret is an annual exhibition and sale of original postcard-sized art, made by professional artists, designers and illustrators, plus the Royal College of Art’s current postgraduate students.

The admission is free and the exhibition runs from 13th to 20th November. On 21st November they go on sale for one day only. Each postcard costs £40.



THE SECRET: The postcards are signed only on the reverse, so the author of each work remains a secret until after purchase, and the signature on the back is revealed.

Over 800 artists have donated work to RCA Secret 2009 so far, including Yoko Ono, Cornelia Parker, David Bailey, former Stone Roses guitarist John Squire, and animator Nick Park, as well as fashion designers Sir Paul Smith, Manolo Blahnik and Erdem. Many leading American artists have also contributed this year including Lawrence Weiner, John Baldessari and Alex Katz.

Find full details here.

Friday, 6 July 2007

"i love london.
i love the formality, the manners, the drunkenness"
tom ford
last weekend was the last smoky one for london, and we fully inhhaled it both nights. we returned home stinky but happy. to date, i have only briefly enjoyed the smoke-free pubs. tonight i am forced to stay in, while my cousin and his friends, vale and her friend, magali and her friends, michela and her friends are out and about. i am tempted to say "that's not fair", but it is my fault that i over-spent, dressed for the day in weird clothes, okay for work but not for the night, and let my mobile phone die. i am regretting now that i did not buy The Book of Laughter and Forgettng today when i passed by my local bookshop. i am in need of kundera...

Wednesday, 21 February 2007

we are londoners (part I)
















































(c) london as seen by ugo's eyes